DANCING ၂ /၄ မြန်မာ့ရီုးရာယဉ်ကျေး မှု မြတ်နိုးသူများအတွက် ကျေးလက်တေးသံများ။ မြန်မာ့ ရိုးရာ အကအလှ များ။ Myanmar Traditional Dance

နိုင်ငံ ချစ်သူ အမျိုးတကယ်ချစ်ကြသူ ယ နေ့ မြန်မာများအတွက် ခေတ်အဆက်ဆက် မြန်မာ့ နိုင်ငံသမိုင်းနဲ့ချီပြီး မြန်မာ့ ရီုးရာ ယဉ်ကျေးမှု အနုသုခုမ အမွေတွေဆက်ခံ ရရှိခဲ့ကြတဲ့ မြနိမာ လူမျိုး တွေ ၏
မြတ်နိုးဘွယ် ရာ မြန်မာ့ ရိုးရာ ယဉ် ကျေးမှု
အနု သုခုမ ဂီ တ အဆို အတီး အက အလှ အနုပညာ များ

မြန်မာ့ရီုးရာ ရုပ်သေး နှင့် မြန်မာ့ရီုးရာ အက အလှများ။ ။ မျှော်လင့်ခြင်းရန်ကုန်အဖွဲ့မှစီစဉ်သောမြန်မာ့ရိုးရာရုပ်သေးနှင့်မြန်မာ့ရိုးရာအကတို့
ပေါင်းစပ်ထားတဲ့ “မပျက်သော က ကြိုး ၊ မကျိုးသော က လက်” အစီအစဉ်ဖြစ်ပါတယ်။ ဒီဗီဒီယိုလေးကိုသဘောကျတယ်ဆိုရင်ဒီလင့်လေးကိုသွားပေးကြပါဦးခင်ဗျာ။ https://www.facebook.com/permalink.php?story_fbid=pfbid02baoAWgtoJ8qUPwBR2BBEo8M29Ui9EoHYTkQjKknJKcUKxJdFUHk5f84k67XfTHczl&id=61567284430409

မလေးလက်ခတ်သံ အက by Crew -X Burmese Dance

မြတစ်ခက် ( Official Music Video )

Roselle Li
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မြတစ်ခတ် (Official Music Video)

တေးရေး – So Tar

တေးဆို – Roselle Li & Nan Hanthi Nwe

အက – ခိုင်မာလွင်

Music Director (ဂီတမှုး) – ထက်အာကာ

ဆိုင်းအဖွဲ့ – ရွာစား ထက်အာကာ နှင့်အဖွဲ့

Music Produced by Lokapala Production

Studio – Lokapala Production,Mr.Key,
Studio imager

Mixing & Mastering – NAUNG

Music Mixing – Okkar Myint Myat
Harmony-Tin Han Lwin

Director – Drone (DEPAR AYEMYA Records) roselleli #music #traditional #khaingmarlwin

အကသဘင် 153 videos

ရတနာပုံ ယိမ်း အက

အလှူတော် သီချင်းများ စုစည်းမှု ( Music Era )

ဗုဒ္ဓ ပူဇနိယ ဘိမ်ူ တေး ရွီး –

The Cycle of Rice Rituals of Myanmar

Performed by: Myanmar Cultural Troupe, Nay Phi Taw, Min. of Culture

Scene 1: The Story of Pone Ma Kyi Shinma Nat (Myanmar Rice Goddess)
Myanmar farmers believe that Pone Ma Kyi Shinma Nat is a rice goddess and the guardian spirit of farmland and farming. It is the tradition of Myanmar farmers to pay respect to Pone Ma Kyi Shinma Nat by making an effigy of her out of straw and putting the mask of an ogress on the head of the effigy, as it is believed that she was an ogress before she became a nat (Myanmar spiritual being). At the beginning of the farming season, the farmers provide the Pone Ma Kyi Shinma Nat figure with various offerings for her to create good weather and to bring a bountiful harvest.

Scene 2: The Royal Ploughing Ceremony in Myanmar
According to the Buddha Vamsa story, the first Royal Ploughing Ceremony was held at the time of King Suddhodana, the father of Prince Siddartha (who later became the enlightened Gautama Buddha). It is mentioned in the chronicles that Myanmar kings followed this tradition and celebrated the Royal Ploughing Ceremony starting from the Bagan Period (10th-12th century CE) up to the end of the Konbaung Period (19th century CE). During the time of Myanmar kings, it was usually held on the 1st waning day of the Myanmar calendar month Na-yone (May). Marking the beginning of the rice-growing season, the aim of the Royal Ploughing Ceremony was to ensure a good harvest. It is also believed that another aim of celebrating the Royal Ploughing Ceremony is to propitiate the rain god Moe Khaung Kyawzwar Nat, who can create rain for a prosperous rice growth.

Scene 3: Traditional Dance Demonstrating the Work of Farm Ladies during the Rice Growing Season
This traditional dance is usually performed by young village girls in rural villages at the beginning of the rice-growing season to cheer on the farm ladies who are working in the ploughed field.

Tayub Rice Ploughing and Sowing Ritual Performance ( Indonesia )

ayub Tanam Padi (Tayub Rice Ploughing and Sowing Ritual Performance)
Performed by: Satria Javanese Traditional Dance Group, Yogyakarta, Indonesia

Tayub dance is one of the genres in Javanese dance that flourished among rural communities and has often functioned as a ritual dance related to the fertility ceremony in honour of Dewi Sri. It is performed by women, both young and old, in a rice-planting ritual (tandur), in picking or cutting rituals (harvest), as well as in the ritual process of putting the rice inside a house or barn. Javanese people believe that the goddess is present in such rituals through the bodies of Tayub dancers. In addition, Tayub dance is often performed in other ceremonies, such as male circumcision rituals, weddings and votive offerings (ngluwari ujar). The dance performance is accompanied by a set of Javanese gamelan musical ensemble: laras Slendro or Pelog, while the gendhing used are Ayak-ayak, Sampak, Ladrang Pangkur, Semingin, Rujak Jeruk and Godril.

Synopsis / Description
The dance illustrates the activities of farmers in the planting ritual (tandur). The process of the ceremony starts with the performance of the pelandang, appealing to the angels to be present in the planting ceremony. The presence of the angels is symbolized by the performance of the Gambyong dance performed by women, accompanied by gendhing of Ladrang Pangkur laras Slendro pathet Manyura. After that, the ceremony performs Sri Tumurun, which describes the descent of Dewi Sri, led by a ritual leader. The performance of the ceremony is accompanied by various kinds of offerings, such as oran, sega krawon, santri mujung, jenang blowok, inthil, parem, tebu wulung, pisang, godhong walikukun, godhong apa-apa and reed tips. The purpose of the ceremony is to ask for safety so that the planting can be done safely and the seeds will grow well. To respect the presence of Dewi Sri as embodied in the Tayub dancers, the pelandang starts the rituals by dancing together with one of the Tayub dancers. After the pelandang finishes dancing, the male farmers will choose the Tayub dancers as their dancing partners. After this ritual, which is called Tayuban, the activities of cultivating the farmland and planting the seeds may start.

Myanmar Traditional Dance / ASEAN Dance ( 27th SEA Games 2013 )

( ASEAN Week 2019 ) ASEAN Performance : Myanmar Culture Troupe from Myanmar

2023 World Cultural Dance Festival

Myanmar [ Blessing Rain 축복의 비 – Azalea Stars ]

Difficulties, fear, poverty, darkness, despair, and thirst come and all are exhausted and exhausted, just as it does not rain on the earth. If there is no rain on the earth, no living creatures can live and no fruit can be produced. Everyone waits for rain and hope. After the blessed rain, many people in Myanmar are relieved of their difficulties and despair, and hope is instilled.

Burmese dancers performing “A Pyo Daw Yein” dance at the opening ceremony of 27th SEA Games 2013 in Nay Pyi Taw, Myanmar.

Beautiful Maidens Group Myanmar Dance အပျိုတော် ယိမိးအက

မြန်မာ ရာမ ယိုး ဒယားအက

ရုပ်သေးပွဲသွဦးရအောင် ။ ( သဘင်ပညာဌာန ) 17 th Graduation Ceremony of NUAC

တေးဂီတအမွေ မန္တလာမြေ ( ဂီတ ပညာဌာန ) 18 th Graduation Ceremony of NUAC ( 2023 -2024 )

Myanmar Folk Dance

म्यांमार लोक नृत्य Myanmar Folk Dance
Traditional dance performance at the Bodh Gaya Mahotsava 2019 in Bihar India.
The art of Myanmar dance originated from the previous period of Buddhist era when Nat worshipping was always accompanied with dancing.
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